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Michael Jacobs: Head of professional services at Cinegy
Harmonic integrated channel playout device pro#
It comprises two key components – Cinegy Playout Engine and Cinegy Air PRO operator interface – which can be run independently on different instances. Read more: Hybrid Cloud Q&A: vendors ‘bridging the gap’ between different operational environmentsĬinegy’s software playout product, Cinegy Air, has been available to run in the cloud for more than three years as a BYOL or rental offer.But as the following round-up makes evident, innovation is hardly in short supply elsewhere in this market, with numerous vendors bringing new or updated cloud-based systems to launch over the past 18 months. Markus Placho is vice president of video products at SES, a leading provider of global content connectivity solutions via satellite, which currently manages playout for more than 525 channels and delivers over 8,400 hours of online video streaming per day. “There is more and more demand for cloud-based playout, primarily due to flexibility and the opportunity to scale up and down more easily,” he says. “Pop-up or temporary channels – for example, those connected with sporting tournaments – would be a good example here as they allow playout to be achieved without the need to invest in hardware for a short period of time.”įor SES, this realisation has recently led to the development of its own bespoke cloud playout infrastructure together with Microsoft Azure Placho envisages that “many of its customers will want to migrate some or all of their services to this platform”.
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That has now arrived in the form of cloud-based playout, which opens the way for broadcasters to enjoy greater flexibility and cost-efficiency, either as a sole platform or as part of a hybrid playout infrastructure that typically includes on-premise facilities. In the context of the profound changes that have impacted most aspects of broadcast workflows during the past few years, it was surely only a matter of time before playout underwent a similar quiet revolution. Operating and maintenance costs are also significantly reduced, while retaining the same functional requirements by reducing the number of required equipment, which may be limited to two 1RU servers, and preferring IP links.Nxtedition: Focuses on speed and cost of virtualised private cloud infrastructure Time and cost of implementation of new channels are drastically decreased. The human resources of the company can thus concentrate on what allows the organization to increase its profitability. Furthermore, LORA Solutions developed a consistency check module, to check if the content on the video server matches the Traffic database, so any failure can be fixed.
Harmonic integrated channel playout device manual#
Manual tasks, such as media and time-code validation, are also available. The Traffic System Rhapsody, that is to say the editorial world, takes the lead and controls directly the playout.įirst, Traffic and automation systems will have to exchange information like ingest requests, tapes or lives, transfer and file ingest requests, for which everything can be fully automated. Both systems also exchange As Run logs to meet legal obligations. Playlists are updated in real time, as soon as they are editorially validated.
Harmonic integrated channel playout device software#
Rhapsody sends playlists via the BXF protocol to Polaris Play, a software application suite optimized for Harmonic Inc.’s 1-RU Spectrum™ MediaDeck 7000 integrated media server.īranded playlists are automatically loaded and played by P olaris Play, with no need of any human interaction. This allows broadcasters to adjust their own investment cursors, depending on their strategy, and on their human, financial and technical resources.Īt the heart of the system is LORA Solutions’ Rhapsody Traffic System and Harmonic’s Polaris Play channel-in-a-box automation system.
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have combined their technological expertise to offer a comprehensive solution to customers looking for a complete scheduling/playout system. This convergence allows all parts of a company to move towards modernizing, saving costs and best use of resources, by simplifying the processes of scheduling, monetizing, managing and publishing of their media assets. As a result, technical limits are constantly being pushed back, and associated costs are decreasing. Our broadcast world is constantly changing: 20 years ago, the dematerialization of programs started, initiating the famous IT/broadcast convergence.